Went out with my trusty little Ricoh R10 in this dodgy and beat to hell abandoned house, it’s actually just down the street from my house so the commute was easy. I’ve been meaning to shoot it before they knock it down which happens pretty regularly in my area. So, I thought I’d check it out and shoot some film of course!
Why is there so much mystery surrounding what happens to the digital scans of our negatives? The digital footprint of the modern film shooter is often never spoken about, JC explores his thoughts on what film shooters should be doing with their digitised negatives once they return from the lab.
JC heads into Melbourne's busy CBD during his lunch break to shoot a roll of Ilford HP5 400 with his Contax G2 on the street.
The near weightless Ricoh R10, produced in collaboration with Elle Magazine in 2002 could be one of the last Ricoh point and shoot fun boxes created.
We wanted to know how a modern, mid-range DSLR would stack up against a 1990s era film point and shoot at the same location, shooting the same things. So, we took both cameras to an abandoned former school and orphanage in Ballarat to see how they'd go! The results are surprising!
The little plastic fantastic Olympus OZ-10 or AF-10 Mini kinda looks like an overweight Mju, with a 35mm f4.5 lens rather than the well known 35mm f3.5. To be perfectly honest? It's kinda a piece of junk but at the same time it's also kinda heroic.
Early in the North American winter of 2018, I was lucky enough to spend a couple of weeks in NYC and Washington D.C. While there, I shot roughly twenty rolls of film mostly Kodak Portra 400, Fujifilm Superia 400 and Ilford HP5.